精彩纷呈
2019年10月2日至10月6日,为弗里兹伦敦艺术博览会(Frieze London) & 弗里兹大师展(Frieze Masters)展出时间,期间精彩不断。
本届弗里兹伦敦携手超过160间来自世界各地的顶级艺术画廊,为观众带来超过1000位艺术家的作品;弗里兹大师展则汇集130余间领先的现代和古典画廊,呈现贯穿6000年的艺术杰作。“编织”(Woven)是今年的新板块,由香港非营利机构Para Site的执行董事和策展人Cosmin Costinas策划。
今年卡塔尔阿勒萨尼收藏 (The Al Thani Collection) 资深策展人阿敏·加法尔博士(Dr. Amin Jaffer)与纽约绘画中心 (The Drawing Centre) 执行董事劳拉·霍普特曼(Laura Hoptman) 作为弗里兹策展顾问的加入,为弗里兹大师展的观众带来更丰富的亚洲和20世纪艺术品的专业分享。
而伦敦摄政公园内,弗里兹雕塑也已经展出。
以下为部分图集:
弗里兹雕塑(Frieze Sculpture) Frieze London, Regent’s Park
Zak Ove, Autonomous Morris, (2018), Lawrie Shabibi, Frieze Sculpture 2019, Photo by Stephen White. Courtesy of Stephen White/Frieze.
Lars Fisk, Tudor Ball, 2019, Marlborough. Courtesy of Stephen White/Frieze
Tracey Emin, When I Sleep, 2018, White Cube. Courtesy of Stephen White/Frieze
Robert Indiana, ONE through ZERO, 1980-2002, Waddington Custot. Courtesy of Stephen White/Frieze
Vic Muniz, Mnemonic Vehicle No. 2, 2015, Ben Brown Fine Arts. Courtesy of Stephen White/Frieze.
Tom Sachs, My Melody, 2008, Galerie Thaddaeus Ropac. Courtesy of Stephen White/Frieze
Leiko Ikemura, Usagi Kannon II, 2013-2018, Kewenig. Courtesy of Stephen White/Frieze
Emily Young, Solar Disc III, 2018, Bowman Sculpture, Frieze Sculpture 2019 FRIEZE/STEPHEN WHITE
Jaume Plensa, Laura Asia’s Dream (2018) Presented by Galerie Lelong Co. FRIEZE/STEPHEN WHITE
Joanna Rajkowska, The Hatchling (2019) FRIEZE/ STEPHEN WHITE
最让人惊艳的15个展位: The 15 Best Booths at Frieze London and Frieze Masters1、David Zwirner
Frieze London, Main Section, Booth B03
∧Installation view of David Zwirner’s booth at Frieze London, 2019. Photo by Linda Nylind. Courtesy of Linda Nylind / Frieze.
2、Gagosian
Frieze London, Main Section, Booth E3
∧Installation view of Gagosian’s booth at Frieze London, 2019. Photo by Linda Nylind. Courtesy of Linda Nylind / Frieze.
3、Marianne Boesky Gallery
Frieze London, Main Section, Booth B12
∧Installation view of Marianne Boesky’s booth at Frieze London, 2019. Photo by Andrea Rossetti. Courtesy of Marianne Boesky Gallery.
4、Gavin Brown’s Enterprise
Frieze London, Main Section, Booth C06
∧Installation view of Gavin Brown Enterprise’s booth at Frieze London 2019. Photo by Linda Nylind. Courtesy of Linda Nylind / Frieze.
5、David Nolan Gallery
Frieze London, Main Section, Booth D15
∧Installation view of David Nolan’s booth at Frieze London, 2019. Courtesy of David Nolan Gallery, New York.
6、Simon Lee Gallery
Frieze London, Main Section, Booth E6
∧Installation view of Simon Lee Gallery’s booth at Frieze London, 2019. Photo by Linda Nylind. Courtesy of Linda Nylind / Frieze.
7、Nature Morte
Frieze London, Woven Section, Booth W5
∧Installation view of Nature Morte’s booth at Frieze London, 2019. Photo by Nicola Moritti. Courtesy of Nature Morte.
8、The Sunday Painter
Frieze London, Focus Section, Booth H18
∧Installation view of The Sunday Painter’s booth at Frieze London, 2019. Courtesy of the Sunday Painter
9、Union Pacific
Frieze London, Focus Section, Booth H1
∧Installation view of Union Pacific’s booth at Frieze London, 2019. Photo by Linda Nylind. Courtesy of Linda Nylind / Frieze.
10、Revolver Galería
Frieze London, Focus Section, Booth H17
∧Installation view of Revolver Galería’s booth at Frieze London, 2019. Photo by Linda Nylind. Courtesy of Linda Nylind / Frieze.
11、White Cube
Frieze London, Main Section, Booth D7
∧Installation view of White Cube’s booth at Frieze London, 2019. Photo by Linda Nylind. Courtesy of Linda Nylind / Frieze.
12、Trinity Fine Art
Frieze Masters, Main Section, Booth A3
∧Installation view of Trinity Fine Art’s booth at Frieze Masters, 2019. Photo by Mark Blower. Courtesy of Mark Blower / Frieze.
13、ArtAncient
Frieze Masters, Main Section, Booth B6
∧Installation view of ArtAncient’s booth at Frieze Masters, 2019. Photo by Mark Blower. Courtesy of Mark Blower / Frieze.
14、Gallery Hyundai
Frieze Masters, Main Section, Booth B14
∧Installation view of Gallery Hyundai’s booth at Frieze London, 2019. Photo by Mark Blower. Courtesy of Gallery Hyundai.
15、Ortuzar Projects
Frieze Masters, Spotlight Section, Booth H13
∧Installation view of Ortuzar Projects’ booth at Frieze Masters, 2019. Photo by Mark Blower. Courtesy of Mark Blower / Frieze.
部分参展作品:
∧Robin Rhode
Frustum, 2017
C-print
69 × 89 in
175.3 × 226.1 cm
∧Francis Alys
Untitled (Study for the Prophet and the Fly), 2004
Oil on wood
7 7/8 × 5 5/8 in
20 × 14.3 cm
∧Jeff Koons
Gazing Ball (Antinous-Dionysus), 2013
Plaster and glass
60 3/8 × 44 3/8 × 27 1/2 in
153.4 × 112.7 × 69.9 cm
∧Michal Borremans
Fire from the Sun (Three Figures, Three Limbs), 2017
Oil on canvas
31 1/2 × 41 3/8 in
80 × 105.1 cm
∧Donna Huanca
GEOTROPISM, 2019
Oil, sand, synthetic hair on steel
79 1/10 × 76 × 29 1/2 in
201 × 193 × 75 cm
∧Donna Huanca
HUAYANA CAPAC REDEUX BETA, 2019
Oil, sand on digital print on canvas
86 3/5 × 70 9/10 in
220 × 180 cm
∧Donna Huanca
TEGMENTUM BETA, 2019
Oil, sand on digital print on canvas
86 3/5 × 70 9/10 in
220 × 180 cm
∧Harvey Quaytman
The Fire This Time, 1986
Acrylic and steel on canvas
28 7/10 × 28 7/10 in
73 × 73 cm
∧Torsten Andersson
Morfar Stedes Soffa, 1992-1994
Oil and charcoal on canvas, mounted on canvas
21 3/10 × 24 in
54 × 61 cm
∧Ann Edholm
Lichtzwang, 2018
Oil on canvas
29 1/2 × 23 3/5 in
75 × 60 cm
∧Raul Mouro
Armário de maquetes Valendo # 3, 2019
Corten steel
78 7/10 × 58 3/10 × 18 9/10 in
200 × 148 × 48 cm
∧Raul Mouro
4 cervejas (para Guto Lacaz) , 2019
1020 steel with synthetic resin, glass and wood
18 1/10 × 19 7/10 × 9 4/5 in
46 × 50 × 25 cm
∧Liza Lou
Aggregate: Primary, 2018
Glass beads, thread, and epoxy resin
22 1/2 × 13 1/2 × 11 1/2 in
57.2 × 34.3 × 29.2 cm
∧Radhika Khimji
Leaning and standing, 2019
Oil and photo transfer on wood
11 × 14 1/5 in
28 × 36 cm
∧Zhang Wei
Z-AC1778, 2017
Oil on canvas
78 7/10 × 59 1/10 in
200 × 150 cm
∧Marina Abramovi
The Kitchen VIII (from the series The Kitchen, Homage to Saint Therese), 2009
Fine art pigment print
39 2/5 × 35 2/5 in
100 × 90 cm
∧Ramin Haerizadeh, Rokni Haerizadeh & Hesam Rahmanian
Where is Waldo, 2013
Paper collage, acrylic, watercolor, ink, gesso and gouache on paper
27 3/5 × 39 2/5 in
70 × 100 cm
∧Kyungah Ham
85. Imaginary Forms and Vitamin C, Detail from SMS Series 04, 2017-2018
North Korean hand embroidery, silk threads on cotton, middle man, smuggling, secret code, censorship, confiscation, bribe, anxiety, ideology, wooden frame
18 1/10 × 24 2/5 in
46 × 62 cm
∧SUPERFLEX
Free Beer, 2007
Photogravure. 64 Letters
19 7/10 × 19 7/10 in
50 × 50 cm
∧Ha Chong-Hyun
Conjunction 18-34, 2018
Oil on hemp cloth
70 9/10 × 47 1/5 in
180 × 120 cm
∧Robert Longo
Study Of Horse, 2019
Ink and charcoal on vellum
16 × 18 1/4 in
40.6 × 46.4 cm
∧Camille Henrot
The Tip of Our Nose, 2019
Watercolor on heavy Somerset Velvet paper mounted on ALU
46 1/2 × 34 11/16 in
118.1 × 88.1 cm
∧Jorunn Hancke gstad
Untitled, 2019
Fabric dye, plastic, acrylics and epoxy on cotton
70 9/10 × 63 × 1 in
180 × 160 × 2.5 cm
∧Doug Aitken
EVERY THING (flag), 2015
Mirror, fiberglass and resin
97 1/2 × 119 1/2 × 12 1/2 in
247.7 × 303.5 × 31.8 cm
∧Ilse D’Hollander
Untitled, 1990-1991
Mixed media on cardboard
28 × 39 2/5 in
71 × 100 cm
∧Dominique Gonzalez-Foerster
Untitled (Mobile), 2011
Book, quartz sand
23 3/5 in
60 cm
∧Karin Sander
Identities on Display, 2013
Glass, wood, metal, wheels
78 7/10 × 23 3/5 × 31 1/2 in
200 × 60 × 80 cm
∧Ryan Mosley
Hollow meadows, 2019
Oil on canvas
78 7/10 × 61 in
200 × 155 cm
∧Martin Gro
Night in June, 2019
Oil pastel on paper
72 4/5 × 60 1/5 in
185 × 153 cm
∧Kishio Suga
Latent Agglomeration, 2015
Wood and paint
43 3/10 × 35 2/5 × 6 1/10 in
110 × 90 × 15.5 cm
∧Sofia Borges
Untitled, 2019
Mineral pigment print on cotton paper
35 2/5 × 23 3/5 in
90 × 60 cm
∧Michael Dean
Unfucking Titled (and son), 2018
Steel and concrete
68 1/10 × 39 2/5 × 18 1/10 in
173 × 100 × 46 cm
视频:
色彩的力量:五个世纪的欧洲绘画
英文版
包邮(偏远地区除外)
揭示了色彩作为物质媒介的力量,以及社会变革中对色彩的广泛研究,阐明了五个世纪的欧洲绘画的实质,背景和意义。 通过各种精彩细节和论证,如从波提切利和提香到梵高和康定斯基为例子,进行了引人入胜的分析。作者坚持审视技术和材料作为理解艺术意义的重要性,为读者提供了新的视角去欣赏这些绘画。书的模样:
内页范例: