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俄罗斯艺术家三亚·坎塔罗夫斯基（Sanya Kantarovsky）

来源：惊世人艺术 2019-12-15 09:24:54

三亚·坎塔罗夫斯基（Sanya Kantarovsky）不喜欢听到他的作品在形象化或抽象化方面得到了很好的讨论；相反，他将其与指导其实践的图形，书法和历史影响联系起来。坎塔罗夫斯基（Kantarovsky）生产录像装置和雕塑，尽管他以他的画作而闻名。他的标志性作品通常涂上薄薄的，擦拭或刮擦的油漆，并以孤立的，讽刺的人物组成的叙事场景为特色。这些作品中经常出现的主题包括间接的社会政治评论和对遭受艺术天才影响的评论。在许多作品中，空白页也是反复出现的主题，寓意着创造潜能和健忘症。坎塔罗夫斯基对莫斯科的早期记忆也体现在他的作品中

Sanya Kantarovsky does not like to hear his work discussed neatly in terms of figuration or abstraction; instead, he relates it to the graphic, calligraphic, and historic influences that guide his practice. Kantarovsky produces video installations and sculptures, though he is best known for his paintings; his signature works often have thinly applied, wiped, or scraped layers of paint, and feature narrative scenes populated by isolated, sinewy figures. Frequent themes in these works include indirect social-political commentary and a critical look at the idea of suffering artistic genius; the blank page is also a recurring motif in many works as an allegory of both creative potential and amnesia. Kantarovsky’s early memories of Moscow also figure in his works, perhaps most directly in his lattice-like structures that refer to window grates in his childhood home.